Purple Disco Machine announces fourth album COSMOTROPIA for April 2027, with a live tour to follow
Purple Disco Machine announced his fourth studio album, COSMOTROPIA, on 2 October 2026, with a release date of 30 April 2027. The lead single 'Test My Luck' featuring MEEK is out now. The album draws on 1970s and 1980s cosmic disco and space rock, and an autumn 2027 tour with a band, singers and dancers includes six German dates.
Purple Disco Machine has announced his fourth studio album. COSMOTROPIA is due on 30 April 2027, and the Dresden producer, real name Tino Piontek, opened the campaign on 2 October with a new single, 'Test My Luck', featuring MEEK.
The reference points are clear from the announcement. COSMOTROPIA leans into the cosmic disco and space rock of the 1970s and 1980s, with Pink Floyd, Alan Parsons, Jean-Michel Jarre, Vangelis and Kraftwerk named as inspirations alongside the foundational disco scenes of France, Italy and Germany. Coverage of the launch ties the record to the collection he grew up with at home, which fits an artist whose whole project has been built on a deep love of older dance records.
The live side is just as ambitious. In autumn 2027 he will take the album on tour with a band, singers and dancers. German press lists six dates: Cologne on 8 October, Leipzig on 14 October, Munich on 15 October, Berlin on 28 October, Hamburg on 29 October and Stuttgart on 30 October 2027, with a wider European run described in the announcement.
The timeline is the interesting part for anyone running a release campaign. A single seven months before the album, and a tour that starts roughly five months after it, gives the project close to a year and a half of announcement, release and touring moments. That is a major-artist rhythm, but the principle scales down: announce early with music in hand, give fans a date to plan around, and line up the live show so the record has somewhere to go after release week.
It is also a reminder that a dance act can move from DJ booth to full band show without leaving the club audience behind, as long as the songs and the visual identity are strong enough to carry a bigger stage. For electronic artists weighing a live show, the question is less whether it is possible and more whether the album gives the band something worth playing.