Official album cover artwork for HAAi's DIGITiSE on Mute
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HAAi releases DIGITiSE on Mute, the club-facing sibling to HUMANiSE

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HAAi released her third studio album, DIGITiSE, on Mute on 9 October 2026. The ten-track record is a dancefloor-focused companion to 2025's HUMANiSE, featuring Pat Alvarez, Echonomist, ILA, Kaiden Ford, James Massiah, Skybreak and Cantoalegre, a children's choir from Medellin. It is out on vinyl, CD and digital.

HAAi has released DIGITiSE, her third studio album and her third for Mute. It landed on Friday 9 October across vinyl, CD and digital, with a limited yellow vinyl edition among the formats on offer.

The album is pitched as the louder sibling of HUMANiSE, the record she put out on Mute almost exactly a year earlier. Where HUMANiSE leaned reflective, DIGITiSE was built with the dancefloor in mind, and HAAi has tied its energy directly to the DJ dates she played after the last album came out. The ten tracks open with RE-HUMANiSE and run through the title track, Ignition and Technology before closing on Walking Walls.

The guest list mixes returning faces with new ones. Pat Alvarez features on the title track, which arrived as the first single in June. ILA, Kaiden Ford and James Massiah return from earlier HAAi projects, while Echonomist, Skybreak and Cantoalegre, a children's choir from Medellin in Colombia, are new collaborators. HAAi has described Ignition, her track with Echonomist, as a sequel to Go! from HUMANiSE, which shows how deliberately the two records were designed to talk to each other.

Early reviews have focused on the move from ambient texture into high-energy club tracks. That shift matters for HAAi's live calendar too: an album built from the booth gives her a body of original material to drop into sets, rather than a listening record that lives apart from her DJ work. A US tour was announced alongside the release.

For artists and managers, the paired-album approach is worth studying. Releasing two linked records a year apart, one introspective and one functional, gives a campaign a story that runs across two cycles, keeps the same visual language working twice and gives DJs and radio a clear reason to come back. It also lets an artist serve listening audiences and club audiences without forcing one album to do both jobs.

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