Apple Music Club Live streams The Warehouse Project free: Overmono and Andy C now, Carl Cox in December
Apple Music is broadcasting two nights from The Warehouse Project in Manchester through its Club Live series, free on Apple Music Club Radio with no subscription needed. Overmono's Depot takeover with Andy C aired on 30 October, and Carl Cox, 2manydjs and Chloé Caillet follow on 19 December. Selected sets will later be available on demand in Spatial Audio.
Apple Music has started streaming one of the UK's biggest club seasons. Its Club Live series broadcast Overmono's takeover of The Warehouse Project's Depot room in Manchester on Friday 30 October, with Andy C as special guest, live and free on Apple Music Club Radio. No subscription was needed to tune in, according to EDM Identity, EDMTunes and Decoded Magazine.
The second broadcast is set for Saturday 19 December, with Carl Cox, 2manydjs and Chloé Caillet on the bill. After each night, selected sets will be made available on demand in Spatial Audio for Apple Music subscribers. The Warehouse Project is also offering a limited number of VIP upgrades to Apple Music subscribers during the season.
The partnership marks the venue's 20th anniversary and was first announced in May, when Music Ally reported that The Warehouse Project was joining the Club Live series. Club Live launched earlier in 2026 with broadcasts from EDC Las Vegas.
For streaming services, live club sets are a new kind of exclusive. Apple already runs Apple Music Club as a dedicated dance radio station, and its DJ software integrations have been growing this autumn. Free, live, well produced club broadcasts give it a way to reach dance fans who might never open the app for albums.
For DJs, this is another sign that a club set is no longer just a night in a room. When a set might be streamed, archived in Spatial Audio and shared on social clips, your selection, your edits and your rights position all become more visible. If you are offered a slot at a broadcast night, ask before the gig how the set will be used, whether it will stay on demand, how long for, and whether you will receive the recording. Make sure any unreleased music you plan to play is cleared with its producers, because a set that stays online for months is a very different thing from one heard once in a dark room.
For managers, broadcasts like this are worth pitching for. A streamed set reaches far beyond a venue's capacity, and it gives your artist premium footage and audio you can use long after the night.